Der Beitrag Vulcanier-Ohren erschien zuerst auf Mann vom Mond.

Dank Greenscreen und Photoshop konnte ich mich direkt in die Welt der Sechzigerjahre zurückkatapultieren und mich wie auf Kirks Enterprise fühlen. UndDie faszinierenden Perspektiven, die der Greenscreen eröffnete, ließen meiner Kreativität freien Lauf.

Freut euch auf die Ergebnisse dieses kleinen Projekts. Ein visuelles Abenteuer, das weit über das bloße Ausprobieren eines neuen Equipments hinausgeht. Stay tuned für einen Einblick in die faszinierende Symbiose von Technologie und Kreativität! Mehr Bilder in Kürze!

#SciFiDreams #CosplayAdventures #BehindTheGreenScreen“

Der Beitrag TOS und SNW Photoshoot erschien zuerst auf Mann vom Mond.

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I wanted to make a mask that was easy to apply and where I could move my face. So I decided to split the makeup into 8 parts: A wig, a bald head (because the forehead piece extends past my hairline), a forehead piece, two jaw pieces, a chin, and two removable antennae for easy transport.

[See image gallery at www.mannvommond.de]
Ich begann damit, meinen Lifecast mit Alcote zu bedecken. Das hilft, die einzelnen Teile des Abgusses für das Abformen zu erhalten. Ich begann die Maske mit Monster Makers‘ Monster Clay Medium zu modellieren. Die Basis für die Antennen war ein 3D-Druck, den ich noch hatte. Hier kann man einige Punkte sehen, an denen ich die Maske in die verschiedenen Teile schneiden wollte.

[See image gallery at www.mannvommond.de]
After covering all the necessary areas with Monster Clay, I added primary shapes - these are the shapes that form the shape of the skull.

[See image gallery at www.mannvommond.de]
Then I added more details in the form of secondary shapes. I used several reference photos from Discovery and even some from Strange New World's Hemmer because I wanted to a) give the mask my own fingerprint and b) add details that Discovery's creators didn't use (like veins and a more angular, bony look).

[See image gallery at www.mannvommond.de]
I had to be very careful when modeling the jawline and chin, knowing that I would have to make cuts for the individual pieces here to ensure that these pieces would fit back together later.

[See image gallery at www.mannvommond.de]
Then it was time for the first cut (and the first cut is always the deepest...). I took off the antennas so I could cast them separately in epoxy.

[See image gallery at www.mannvommond.de]
I decided against casting them in foam latex because I wanted them to be as strong and light as possible. So I decided to use epoxy resin. After casting, each antenna weighs less than 20 grams. If you want to see how I molded them, I made a video on my Instagram. Have a look!

Unfortunately, I didn't take a picture of me cutting the chin and jawline into pieces. Anyway, when I did, the entire lifecast had to be placed in a bucket of water. This loosened the alcote and the monster clay came off, ready for custom mold making. Here I am molding the piece of the forehead.

[See image gallery at www.mannvommond.de]
So this is what it looked like after molding. I made the jaw and chin as flat shapes, and the forehead is a basket shape. I also wanted to put gloves on, so you can see the hands. But I didn't have time for that in the end.

So, that's my equipment for the foam latex cooking process.I bought an oven because foam latex oozes ammonia, so you can't do it in an oven you use for food.I also bought a heavy-duty blender and Monster Makers' foam latex kit, which included everything I needed to cast the prosthetics (latex, foaming agent, gelling agent, mold release agent).

[See image gallery at www.mannvommond.de]
I can't stress this enough: Foam latex is a princess. The ambient temperature and humidity have a huge impact on the outcome of the mask. So I had to make several passes before I had my first decent puff.

[See image gallery at www.mannvommond.de]
I also had to figure out how to get the oven to maintain the right temperature, and I had to figure out how long to cook the latex.This was really tricky. So if you want to make your own masks, don't just rely on the instructions that come with your foam latex.

Dies war einer meiner ersten Versuche.Man kann sehen, dass der Schaumstoff den „Stöpsel“ für die Antennen nicht ausfüllt.Außerdem gibt es etwas, das man „Laking“ nennt, d. h. Stellen, an denen unerwünschter Luftdruck dünnere Stellen im Latex hinterlassen hat.

I used several techniques to paint it.My first recommendation is acrylic paints.I love that you can use them with an airbrush. I mixed a base shade that was identical to my alcohol activated makeup instead of the other way around.

[See image gallery at www.mannvommond.de]
For the base, I mixed acrylic ink in FlexiPaint clear.FlexiPaint is a paint for latex so it doesn't get brittle when the mask moves and the paint sticks.

To achieve a vibrant, skin-like look, I used different types of paint and techniques.First, I mixed acrylic paints with ProsAide skin glue. This gives an opaque and flexible color that is perfect for larger areas. Of this, I dabbed on a dark blue and a light blue layer with a sponge.Then, I mixed a very light blue and a rather dark blue and used a toothbrush to spray tiny dots on the masks to make them look like blood vessels.After that, I used acrylic ink to add the shading.

[See image gallery at www.mannvommond.de]
Then came the hardest part: applying the makeup. I started with the bald cap. Using ProsAide, I glued the prosthetics to my face, continued with the forehead, and glued in the antennae. Then the jawline was glued on. The chin was made to cover the front lines of the jawline, so this was the last part. I used ProsAide Cream to cover some of the thicker transitions. Then I used alcohol-activated ProAiir Solid and Eulenspiegel Aqua Makeup to fill in the pink areas of skin between the dentures. Some details like a blue eyeliner were added.

All in all, I was quite pleased with the mask. Was it worth all the hassle, money, and tantrums?I would say yes.I had a lot of fun learning all the techniques and creating the mask. Let's see what next year brings.

Der Beitrag Making of: Andorianer-Maske erschien zuerst auf Mann vom Mond.

Der Beitrag Making of: Andorianer-Fühler erschien zuerst auf Mann vom Mond.

Der Beitrag Möge die Macht mit euch sein! erschien zuerst auf Mann vom Mond.

First, an Announcement.

For all the fans of the Andorians, I will soon make a tutorial on how to relatively easily and cheaply make your own Andorian antennae. And for those who prefer ready-made stuff, there are a few resources from the internet at the end of the article. 

What So Andorian Antennae Do Anyway?

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For many makeup artists today, it's important that masks and prosthetics come across as believable. Individual elements should therefore always appear as if they serve a specific anatomical purpose. In the case of the Andorians, it's not like that – what their antennae actually do has yet to be officially confirmed in canon.

The script for the animated episode "Yesteryears" says about the Andorians' antennae: "(The antennae) are their listening organs; therefore, no ears are in evidence. When an Andorian listens to anyone speak, he bows his head slightly to get maximum 'receiving'. " So are the antennae the Andorian version of ears? No, they can't be. Because later in the movies, and of course in ENT, we see that Andorians actually have a healthy set of ears. And why would they have ears and antennae at the same time if both serve the same purpose?

In the book "Worlds of the Federation", which is not canon though, it says: "The Andorian retina consists exclusively of intensity-sensitive rods and is not able to recognize colors. However, Andorian vision is supplemented by the dual antennae, which contain a complex matrix of light-sensitive cones in addition to auditory receptors" (Worlds of the Federation, p. 22, 1989). So what now? Ears and eyes?

Or a Completely Different Function?

The first draft of the script for "The Andorian Incident" (Star Trek: Enterprise) notes that the Andorians evolved from "subterranean creatures." Therefore, their antennae could sense smells and vibrations, which would help the Andorians find their way in low light conditions. So the olfactory and tactile senses come in as well.

In Star Trek: Enterprise, we also see that the antennae can move, complementing the emotional body language. So let's keep it short and sum up: We don't know exactly what Andorian antennae are for anyway. But maybe we shouldn't be so precise about it, because no matter what their deeper meaning may be: They always look cool!

Now let's assume that function follows form and take a closer look at the Andorian antennae design.

Inspired By Insects? The Antennae of the TOS Andorians

In the TOS episode "Journey to Babel", we meet an Andorian ambassador and his attaché. They are the first representatives of their species that we ever see on Star Trek, so it can be forgiven that their design might not have been completely thought out yet. 

Shras, the ambassador, already shows us the most important features of his species: white hair, blue skin and two antennae growing out of the back of his head. This position sets the TOS Andorians apart from all other incarnations. All later appearances show Andorians with antennae much further forward. 

[See image gallery at www.mannvommond.de]

The shape is also unique. They are made up of individual segments that are at angles to each other. This gives them a very insectoid look, at least to me. Their posture also underscores this appearance. They are curved and directed towards each other, almost like the mandibles of a spider or ant. 

Of course, these antennae couldn't move yet. That was not possible with the budget of a weekly series and the technology of the time. And in general, the special FX makeup was rather low-budget. But no less imaginative. 

Smart Ideas for a Show With Limited Budget

„(Fred) Phillips (der Make-up-Designer) modellierte die Antennen mit Knetmasse, und laut Star Trek Archivar Richard Arnold benutzte Phillips die Enden von Fadenspulen für die Spitzen der Antennen. Die Stiele wurden aus einem starren Material hergestellt und an den weißen Perücken befestigt“ (Star Trek: Aliens & Artifacts, S. 49). Eigentlich ziemlich clever.  Günstig,  praktikabel, kreativ und leicht zu reproduzieren, wenn man mal wieder Andorianer auftreten lassen möchte. 

Just as smart was the idea of attaching the antennae to the back of the head. This made it easy to hide the attachments for the camera and have them in a place that was exposed to much less movement. So it didn't matter so much if the antennae were particularly light. From my own experience, I know that the more forward the Andorian antennae attach, the more annoying and irritating they are. With every nod, no matter how small, you have the feeling of a foreign body on your head. 

The Movie Era; or: Where Do the Andorian Antennae Actually Belong?

Several years passed between TOS and the first feature film. A time in which the art of special effects makeup made massive progress and opened up all kinds of new possibilities for makeup artists. And of course, the budget of a feature film is not comparable to that of a weekly television series. In a makeup test photo for Star Trek: The Motion Picture, an Andorian woman can be seen. The first thing you notice about her: the antennae had wandered!

[See image gallery at www.mannvommond.de] Die Fühler der Dame wachsen direkt aus der Stirn. Und sie sind weitaus graziler als die des Botschafters Shras, schlanker und gebogen. Sie ähneln den Fühlern einer Schnecke, und sind weitab vom insektoiden Look der Originalserie. 

They also look more organic, tapering to the ends, which now no longer looked like satellite dishes, but rather tapered off into small curves. In addition, they come out of a kind of skin fold and protrude outward. 

The Later Movies

In Star Trek IV: The Voyage Home, two Andorians appear at Starfleet headquarters. Their antennae are in roughly the same place as the Andorian woman’s, but are far longer and have tips that resemble suction cups. All in all, they also show the same diameter along their entire length and no tapering. The skin pocket is absent, instead they come directly out of the forehead. 

The Andorian god in Star Trek V: The Final Frontier, on the other hand, has his antennae quite far back on his head. They are smaller, about the size of a finger, and more reminiscent of the Andorian antennae from Star Trek IV. But since he also doesn't have the same neatly arranged hairstyle of his predecessor, this is probably a good place to put the antennae in or on the wig. 

[See image gallery at www.mannvommond.de] My guess at this point is that the design of the Andorian antennae in the movies is very much related to the hairstyles worn in each case. The female Andorian wears a very elaborately coiffed wig, which of course the antennae are not meant to distract from. The Andorian Starfleet officer in Star Trek IV had a half bald head, so that the antennae could slide a bit further back, which naturally puts them in a more stable position. The Andorian god, on the other hand, wears a white long-hair wig in which the antennae could easily be attached. 

The Next Generation of Andorian Antennae

According to my research, two Andorians appear in Star Trek: The Next Generation. One of them is Data's "daughter" Lal, who is considering an Andorian look as a possible appearance for herself. I will leave this one out of my analysis, as it does not represent a typical Andorian for many reasons. The concept of this Andorian design is so fundamentally different from the classic Andorians that it could just as well be a completely different species.  

In the episode "Captain’s Holiday", a similar Andorian can be seen briefly in the background. What strikes me as worth mentioning about him, however, is a quote from the text commentary for the episode "The Andorian Incident" from the first season of Star Trek: Enterprise that refers to him: "The look of the Andorian Risa tourist was designed by Michael Westmore who used electronics from a novelty potted plant toy which was built to respond to sounds so the plant danced to music, voices or noise.” 

[See image gallery at www.mannvommond.de] My guess at this point is that the design of the Andorian antennae in the movies is very much related to the hairstyles worn in each case. The female Andorian wears a very elaborately coiffed wig, which of course the antennae are not meant to distract from. The Andorian Starfleet officer in Star Trek IV had a half bald head, so that the antennae could slide a bit further back, which naturally puts them in a more stable position. The Andorian god, on the other hand, wears a white long-hair wig in which the antennae could easily be attached. 

So here we have some experimentation with moving Andorian antennae even before Star Trek: Enterprise. But unfortunately, "the idea to make the antennae twist in response to sounds did not work on camera” Too bad we didn't get to see that. Andorian antennae dancing to the intro music of TNG might surely have looked interesting…

The Renaissance of Andorian Antennae in Star Trek: Enterprise

After a long dry spell in Star Trek: Deep Space Nine and Star Trek: Voyager, in which we don't get to see any Andorians, the blue aliens virtually experience a rebirth in Star Trek: Enterprise. Here, the somewhat stale side characters become real main characters – which is not least due to the excellent performance of Jeffrey Combs as Commander Shran. 

The Andorian antennae here have once again migrated to a point quite high up on the forehead and have been integrated into the actors' forehead prosthetics. Also, the makeup department apparently went back to its origins here and gave the antennae a segmented look and a gaping opening at the end. 

The length of the antennae now differs between male and female Andorians, with the females' being slightly shorter. It's interesting to note that on the antennae, the makeup concept has been changed. Because although we see in episode 13 of the fourth season ("United") at the latest that Andorian blood is blue, the insides of the antennae tips are pink. Thus, they go along with the colour concept of the TOS Andorians, which I already discussed in the last article: Under the blue colour, various pink and skin tones were applied, which can also be found here on the antennae. [See image gallery at www.mannvommond.de]

The Live of the Antennae: the Andorians' Antennae Start Moving

Probably the most remarkable feature of the new Andorians is the mobility of their antennae, an idea of Star Trek veteran and makeup supervisor Michael Westmore. After much hesitation due to doubts about the feasibility and practicality of this idea, it was implemented anyway. The concept is convincing: the antennae are now also used as a tool for emotional subtext. Shran actor Combs recalls, “when anger came up, they were like a cat's ears, they would just flare back. And when you were curious about something they would come forward [....] We were trying to find another position for the antennae to show gratitude. We came up with a little heart-shaped position where the tops come in and touch each other”.

The new Andorian antennae presented a daunting challenge to the makeup department and production. First, a mechanism had to be integrated into the prosthetics that moved them – driven by small servo motors. The wiring, mechanics and a power source had to be hidden, and each actor needed a puppeteer to control the antennae. Also, I suspect, a fixed base for the antennae must be integrated so that their movement has a counterpoint. Otherwise, it just doesn't work.

Newly Discovered: the Andorian Antennae in Star Trek: Discovery

Star Trek: Discovery presented us a whole new concept of the Andorians – and of almost all other aliens. By switching from foam latex prosthetics to silicone masks, a whole new set of makeup effects could be created. Most aliens now have a more polished appearance. And that's what happened to the Andorians, too.

Man kann sagen, dass die Fühler der Andorianer nun ein Zusammenspiel aller früheren Varianten sind. Zuerst einmal sind sie weiterhin an der Vorderseite des Kopfes befestigt, ungefähr auf der gleichen Höhe an der oberen Stirn wie bei den Enterprise-Andorianern. Und auch, wenn sie fleischiger und dicker sind als die Version aus Star Trek: Der Film, ähneln sie diesen doch sehr. Auch die Fühler der Discovery-Andorianer beginnen bauchig an der Stirn und verjüngen sich zu den Enden hin. Die Enden wiederum ähneln wieder denen der Enterprise-Andorianer, sie laufen in angespitzte Ovale aus , die auch rosa beziehungsweise fleischfarben durchschimmern. Ein Bekannter von mir nannte sie einmal „Schneckenfühler“ und ich glaube, diese Beschreibung kommt dem Ganzen ziemlich nah. Und auch, wenn man es nicht immer sehen kann: Die Discovery-Andorianer haben ebenfalls bewegliche Fühler.

[See image gallery at www.mannvommond.de] The length of the visible antennae is slightly smaller than that of the Enterprise Andorians. However, in interaction with the rest of the mask, they appear to move on further down under the skin and disappear under the prosthetics above the eyes. 

What's New with Discovery Andorians?

Außerdem fällt auf, dass die Prosthetik über den Augen ebenfalls in kleinen Knubbeln ausläuft, was die Vermutung nahelegt, dass es sich hier um ein weiteres Paar kleinerer  „Sekundärfühler“ handelt. 

[See image gallery at www.mannvommond.de] There are small grooves at the base of the antennae. I suspect that this is to suggest that these antennae are also movable and are supposed to be excess skin that compresses or tightens when the antennae move. 

In general, the antenner are better integrated into the overall concept of the silicone mask. The various bulges on the forehead could suggest the course of muscle cords or tendons of the antennae, because the antennae themselves – although they are smooth in contrast to the antennae in TOS and Enterprise – seem more muscular and organic than all their predecessors and are perhaps comparable to a human tongue, which is also a muscle. 

Perhaps one last tidbit about the Discovery Andorians: so far, I haven't noticed any Andorian in the series whose ears weren't covered by a white wig – possibly a homage to TOS and the idea that Andorian antennae replace ears.

Andorian Antennae: a Summary

Along with the Tellarites, the Andorians are probably among the aliens that have changed the most over the last sixty years. In my opinion, this is due to two things: a change in design standards and the evolution of special FX makeup techniques. On top of that, it's never been defined exactly why the Andorians are blue and have antennae. Therefore, the motto: “what's not wrong is right” probably applies to the Andorians.

While many of the peculiarities of the Andorians have remained the same or at least similar over time, their antennae have probably undergone the greatest changes. From insectoid to slug-like, from rigid to mobile, from large to small, from organic to skeletal. Actually, there's hardly a variation that Star Trek's makeup artists haven't tried. 

Personally, I like Discovery’s Andorians' antennae best. To me, they look the most real and natural, if you can even say that about a fictional alien species. I also find the way they are integrated into the makeup compelling, because while in previous incarnations they almost seem like a feature added later, in Discovery they are fully integrated. Their look is just the most coherent for me. 

But I also know that opinions are divided here. But as is so often the case with Star Trek: everything goes. If you don't like a certain mask, you just have to overlook it and take the Andorians for what they really are: Another attempt to tell exciting stories about the human future. And, of course, as a testament to the incredible progress that special FX makeup art has made. 

What do you think about the Andorian antennae? Am I right in my guesses or do you see something different? Let me know in the comments. 

Do You Want Your Own Andorian Antennae?

If you want to become an Andorian yourself, I have a few more tips for you here:

• I will soon publish two tutorials n how to make your own Andorian antennae on kleinem Budget oder auch etwas professioneller small budget or a bit more professionally.
• On Thingiverse you can find free 3-D printable files for antennae in different variations.
• On Etsy you can find a store with Enterprise-inspired foam latex prosthetics for Andorians.
• Also on Etsy you can buy moving Andorian antennae for sale

Der Beitrag Ein Blick auf die Andorianer-Fühler: Fühler, Fühler, so viele Fühler erschien zuerst auf Mann vom Mond.